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Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens and Ninja V Kit

  • $4,196.00
  • Brand: PANASONIC
  • Product Code: Panasonic Lumix DC-GH5
  • Availability: 10

Configured for the aspiring filmmaker, the Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens and Ninja V Kit from B&H bundles the multimedia mirrorless body and fast Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. zoom lens with an Atomos Ninja V 5" 4K HDMI Recording Monitor, a power kit for the external monitor, a mount for attaching ..

Configured for the aspiring filmmaker, the Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens and Ninja V Kit from B&H bundles the multimedia mirrorless body and fast Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. zoom lens with an Atomos Ninja V 5" 4K HDMI Recording Monitor, a power kit for the external monitor, a mount for attaching the monitor to the camera, and an HDMI cable.

Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only)

Upgraded, redesigned, and filled with features, the Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera from Panasonic provides an outstanding imaging platform for shooters who demand some of the best video and still photography quality they can get in a single compact camera. At the heart of the camera is a 20.3MP Digital Live MOS sensor and a newly developed Venus Engine processor, which both offer dramatically improved processing times over its predecessor. This enables the ability to record 4K video at up to 60 fps, 10-bit 4:2:2 internal recording with select settings, Full HD video at up to 180 fps, 12 fps continuous shooting, and sensitivities up to ISO 25600. Also, the camera features built-in 5-axis sensor stabilization, which can work with certain lenses to activate Dual I.S. 2 for highly effective shake correction that can compensate for up to 5 stops of shutter speed. Other improvements include a speedier and more accurate Advanced DFD autofocus system that can lock on in just 0.05 seconds, as well as 6K PHOTO at 30 fps and 4K PHOTO at up to 60 fps.

Along with all these internal improvements, the body received some significant upgrades as well. For viewing and composing images both the 0.76x OLED viewfinder and 3.2" free-angle touchscreen received resolution bumps to 3.68m dots and 1.62 m dots, respectively. This will make shooting more comfortable and more accurate. The magnesium alloy body is now freezeproof to 14°F in addition to splash and dustproof. For fast image transfer and saving, there are now two UHS-II SD card slots. Additionally, for a completely wireless setup it offers both Wi-Fi and Bluetooth for advanced functionality when paired with a mobile app.

20.3MP Digital Live MOS Sensor and Venus Engine

Packing in a newly developed 20.3MP Digital Live MOS sensor without an optical low-pass filter and a new Venus Engine processor, the GH5 claims to produce the best image quality to date from a Lumix camera. Using Multipixel Luminance Generation and Intelligent Detail Processing, it will maximize sharpness and details as well as accuracy in a variety of lighting conditions. It offers excellent three-dimension color control and precise noise reduction techniques to help with shooting at sensitivities up to ISO 25600. It also enables shooting speeds of up to 12 fps with AF-S or manual focus modes.

4K Video Recording

The GH5 is an exceptionally capable video camera in addition to its outstanding stills capabilities. The flagship feature is UHD 4K video at up to 60 fps, though another excellent spec is the ability to record 4:2:2 10-bit files at resolutions up to DCI and UHD 4K at 24/30 fps. A full-size HDMI port is present on the camera for high-quality output at 4:2:2 10-bit in all settings for use with external monitors and recorders. The camera also offers high bit-rate recording for highly detailed images free of compression artifacts.

For more advanced users, multiple picture styles are available to provide a more gradable image, such as CINELIKE V and CINELIKE D, as well as an in-camera LUT to make monitoring easier. Also, users will have access to overcranking and undercranking settings which provide speeds up to 2.5x slower in 4K (60 fps) and 7.5x slower in Full HD (180 fps). Also, a 4K Anamorphic mode is available, which will let you record in a proper 4:3 ratio for adjustment in post-production.

The GH5 is designed to be an expandable system, with multiple options available to help improve video recording capabilities. Examples of this are an optional V-Log L upgrade and separately available accessories such as the XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection. Users can also use standard microphones and headphones via the 3.5mm input and output jacks.

6K and 4K PHOTO

Utilizing the GH5's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:
  •  Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  •  Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  •  Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18 MP frame.

Dual I.S. 2

Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the GH5's sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 5 stops of camera shake.

Body Design and Built-In Wi-Fi

  •  A large OLED Live View Finder has an impressive 3.86m-dot resolution and 0.76x magnification for eye-level composition.
  •  A larger means for image composition and playback, the 3.2" 1.62m-dot rear RGBW LCD monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
  • Dual UHS-II SD card slots are present which provides settings such as Relay Recording to automatically switch cards when one is full; Backup Recording, which recording the same data to both cards simultaneously; and Allocation Recording, which lets you save certain files to each card for easier organization.
  •  Constructed from magnesium alloy with die-cast front and rear frames, the GH5 features a durable design that also incorporates extensive sealing at each joint, dial, and button to render it both splash- and dust-proof as well as freezeproof to 14°F.
  • A joystick is available on the rear of the camera to make changing many settings easier and more intuitive, such as changing a focus point.
  •  The sleek flat-body profile incorporates both front and rear dials for intuitive control over aperture and shutter speed settings. Multiple assignable function buttons are also available, as well as a dedicated exposure compensation dial.
  •  Built-in 5 GHz Wi-Fi connectivity with NFC and Bluetooth 4.2 Low Energy allows for wireless image sharing and remote camera control from linked smartphones and tablets. Bluetooth LE also enables a constant connection to your mobile device, allowing for functions such as geolocation and automatic image transfer.

225-Area Advanced Depth-From-Defocus AF System

For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.05 seconds, which enables continuous shooting up to 9 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation.

Other Camera Features

  •  A mechanical focal plane shutter enables a fast maximum shutter speed of 1/8000 sec., as well as a top flash sync speed of 1/250 sec. An electronic shutter function also avails a top shutter speed of 1/16,000 sec. to better enable working in bright conditions and with wider aperture settings.
  •  Raw image files can be processed in-camera for a more streamlined post-production workflow.
  •  Depending on the lens in use, the included DMW-BLF19 battery provides approximately 400 shots per charge when using the rear monitor, or 380 with the electronic viewfinder.
  •  Photo Style modes: Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom, Cinelike D, and Cinelike V.
  •  Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine.

Firmware Update Schedule

  • Full HD 4:2:2 10-bit video recording.
  • 400 Mbps 4:2:2 10-bit All-Intra video recording in 4K 30p, 25p, and 24p as well as Full HD.
  • Higher resolution Anamorphic mode.
  • Hybrid Log Gamma in Photo Style mode for 4K HDR video recording.
  • USB tethering.
UPC: 885170307100

Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens

A versatile zoom covering wide-angle to portrait-length perspectives, the Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens from Panasonic is designed for Micro Four Thirds cameras, where it provides a convenient 24-70mm equivalent focal length range. A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. The sophisticated optical design employs a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for sharp, clean image quality and a Nano Surface Coating has also been applied to reduce ghosting and flare. A POWER Optical Image Stabilizer minimizes the appearance of camera shake to suit handheld shooting, and this O.I.S. system is also compatible with Dual I.S. for enhanced stabilization performance. Additionally, the lens also features a durable all-metal housing that is dust, splash, and freezeproof to enable its use in harsh climates.

Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-70mm equivalent focal length range.
Bright constant f/2.8 maximum aperture maintains consistent performance throughout the zoom range.
Four aspherical elements, one ultra extra-low dispersion element, and one ultra high refractive index element all contribute to minimizing chromatic and spherical aberrations and various aberrations in order to produce a high degree of clarity, sharpness, and color accuracy.
Nano Surface Coating has been applied to individual elements to reduce flare and ghosting for improved contrast and color neutrality.
POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality.
UPC: 885170310797

Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.61 brings customized timecode sequences that can be saved as a single file.

5" Daylight Viewable Screen

The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

  • Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
  • Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
  • Avid DNx compatibility enables wide camera and editing software compatibility 

Bright 5" Display with AtomHDR

  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

  • AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
  • SDI Raw activation key
  • AtomX SYNC for wirelessly synced, timecoded multicamera capture
  • Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
Note:
SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats

  • ARRI Log C
  • Canon C-Log, C-Log 2
  • FUJIFILM F-Log
  • JVC J-Log
  • Nikon N-Log
  • Panasonic V-Log
  • RED LogFilm
  • Sony SLog2, SLog3

HDR Recording (Gamut)

  • ARRI Log CEI160, CEI200, CEI250, CEI320,
  • ARRI LogCEI400, CEI500, CEI640, CEI800
  • ARRI LogCEI1000, CEI1280, CEI1600 
  • Canon C-Log, C-Log 2, C-Log3
  • FUJIFILM F-Log
  • HLG
  • JVC J-Log1
  • Nikon N-Log PQ10K
  • Panasonic V-Log
  • RED LogFilm, RG310, RG312
  • Sony SLog2, SLog3

HDR Monitoring (Gamma)

  • ARRI ALEXA Wide Gamut
  • BT.2020
  • Canon Cinema, DCI P3, DCI P3+, BT2020
  • JVC LS300
  • Nikon N-Log PQ10K
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
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