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Sony Alpha a7 III Mirrorless Digital Camera with 24-70mm f/4 Lens Cine Kit

  • $4,396.00
  • Brand: SONY
  • Product Code: Sony Alpha a7 III
  • Availability: 10

Assembled for the aspiring filmmaker, the Sony Alpha a7 III Mirrorless Digital Camera with 24-70mm f/4 Lens Cine Kit from B&H bundles the versatile full-frame mirrorless body and standard zoom lens with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a USB to SATA adapter, a monitor mount, and an HDMI cable.Sony Alpha a7 III Mirrorless Digital Camera (Body Only..

Assembled for the aspiring filmmaker, the Sony Alpha a7 III Mirrorless Digital Camera with 24-70mm f/4 Lens Cine Kit from B&H bundles the versatile full-frame mirrorless body and standard zoom lens with an Atomos Ninja V 5" 4K HDMI recording monitor, a power kit, a USB to SATA adapter, a monitor mount, and an HDMI cable.

Sony Alpha a7 III Mirrorless Digital Camera (Body Only)

Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops.

Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant.

24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.

The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 177 consecutive frames, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible.

Fast Hybrid AF System

An evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.

The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.

5-Axis SteadyShot INSIDE Image Stabilization

Packed into the robust a7 III is a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

Affording extensive customizable color and gamma controls, the a7 III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Body Design and Built-In Wi-Fi/Bluetooth

  •  An XGA OLED Tru-Finder EVF is featured, and has a 2.36m-dot resolution and 0.78x magnification for bright, clear viewing in high detail. This viewfinder design also affords the use of autofocus in the Focus Magnifier mode as well as improved focusing peaking to benefit manual focus operation.
  •  In addition to the EVF, a 3.0" 922k-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles.
  •  Magnesium-alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.
  •  Weather-sealing has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
  •  Using the NP-FZ100 battery, the a7 III has improved battery life and is now rated for approximately 710 shots per charge.
  •  Dual SD memory card slots allow for flexible file saving and handling, and can be configured to partition raw and JPEG files or can be used for overflow recording. One of the card slots is rated to support UHS-II memory cards.
  •  A USB 3.0 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
  •  Built-in Wi-Fi enables the a7 III to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
  •  Bluetooth connectivity allows for location data acquisition.

Other Camera Features

  •  A Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production.
  •  An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
  •  Highlight and Average metering modes helps avoid blown-out highlights and provide stable auto-exposure, respectively.
  •  Anti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images.
  •  Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
  •  Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).
UPC: 027242910768

Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens

Walk around all day with the Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh.

Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.
Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range.
A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.
Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.
One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.
Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.
Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.
A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.
Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
UPC: 027242868182

Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.61 brings customized timecode sequences that can be saved as a single file.

5" Daylight Viewable Screen

The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

  • Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
  • Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
  • Avid DNx compatibility enables wide camera and editing software compatibility 

Bright 5" Display with AtomHDR

  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

  • AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
  • SDI Raw activation key
  • AtomX SYNC for wirelessly synced, timecoded multicamera capture
  • Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
Note:
SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats

  • ARRI Log C
  • Canon C-Log, C-Log 2
  • FUJIFILM F-Log
  • JVC J-Log
  • Nikon N-Log
  • Panasonic V-Log
  • RED LogFilm
  • Sony SLog2, SLog3

HDR Recording (Gamut)

  • ARRI Log CEI160, CEI200, CEI250, CEI320,
  • ARRI LogCEI400, CEI500, CEI640, CEI800
  • ARRI LogCEI1000, CEI1280, CEI1600 
  • Canon C-Log, C-Log 2, C-Log3
  • FUJIFILM F-Log
  • HLG
  • JVC J-Log1
  • Nikon N-Log PQ10K
  • Panasonic V-Log
  • RED LogFilm, RG310, RG312
  • Sony SLog2, SLog3

HDR Monitoring (Gamma)

  • ARRI ALEXA Wide Gamut
  • BT.2020
  • Canon Cinema, DCI P3, DCI P3+, BT2020
  • JVC LS300
  • Nikon N-Log PQ10K
  • Panasonic V-Gamut
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